December 9, 2006 : Elizabeth Benson, "The War
Club: An Important Moche Symbol"
The Pre-Columbian Society was thrilled to have Betty Benson speak to us
at our December meeting! She spoke on the Moche, or Mochica, who
lived on the desert north coast of Peru in the first seven centuries of
our era, and left behind large adobe pyramid complexes, in which have
been found gorgeous metalirgic and ceramic work. In her talk,
Betty addressed the Moche war club, a staff with a bulging top. This
top can appear star-like; it is usually an octrahedron, a
three-dimensional diamond shape, but it can also appear as two cones
placed base to base, or as stacked disks, with the largest in the
center. Ms. Benson believes that the club can be best described
as a mace; it served as staff of office, as well as a weapon.
Images of the war club have been found in murals and on pottery, while
actual clubs have been found in burials. In 2005, two clubs were
discovered wrapped in a mummy bundle of a Moche woman buried beneath
the Huaca Cao Viejo, in the El Brujo complex. One of the clubs
held traces of human blood.
The
war club is most often shown being held by a Moche warrior who kneels
on one knee while holding the club over the other shoulder. Moche
murals also show the club being used as a weapon in battles between two
Moche groups, or between the Moche and foreigners. In one motif, the
war club bearing warrior is accompanied by a foreign captive who has
some of the usual attributes of coca use: a woven bag to hold the
leaves and perhaps a lime jar or stick. Lime was used to break down the
coca leaf while chewing it. Betty believes that this juxtaposition may
refer to the Moche conquest of the coca growing areas of the
neighboring Recuay people. Moche warfare for actual territorial
conquest appears to have been rare; most wars are believed to have been
religious ritual battles, or those over trade routes or water rights.
The
war club is often included in an iconographic motif called a war
bundle, which usually contains an upright club, covered at its center
by a round shield, with perhaps other staffs, darted weapons or loops
behind the shield as well. A back flap or a protective garment may
protrude from either side of the shield, and a humming bird, known as
an extremely aggressive bird, may accompany the bundle. This motif is
often found on Moche jewelry, such as the round ear flare covers, and
on stirrup pots. At times, the top of the club is replaced by a
human or eagle head. It is believed that this may represent the
animation of the club by ritual and warfare use. In murals, animated
clubs and bundles are portrayed with arms and legs, running and
fighting. A cup has been found showing an animated bundle holding a
depiction of the same cup in its hand!
At
times, the club was involved with the depiction of supernatural
animals. To the Moche, the deer hunt was analogous to warfare;
the deer was a worthy enemy. Therefore, one can find images of an
anthropomorphized deer holding a war club in the traditional warrior
pose. War clubs were also involved in scenes of human sacrifice
by the Owl God and the Bat Sacrificer. In some cases, the human headed
mace may then have been a reference to ritual decapitation. The war
clubs found in the mummy bundle of the woman buried in Huaca Cao Viejo
are particularly intriguing, as they may be evidence of women rulers
among the Moche. Indeed, there is an image of a Moche woman
wearing a golden lobed headdress, and holding two war clubs. We thank
Betty sincerely for a fascinating investigation of this central Moche
motif!
Elizabeth
Benson, a noted Pre-Columbian scholar, arranged the installation the
Pre-Columbian Collection at Dumbartion Oaks in 1962. After becoming
curator of the collection, she started the publication, conference, and
fellowship programs, and finally was appointed director of
Pre-Columbian studies. She left Dumbarton Oaks at the end of 1979 and
is now a research associate of the Institute of Andean Studies. She has
published and lectured on several Pre-Columbian fields but has worked
mostly with the Moche people. She has recently been honored for this
work by institutions in Austin, Texas, Washington DC, and Lima, Peru.
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